For working creatives
Your shop, and the club behind it
Every member gets two things with one account. A storefront the public can buy from, and membership of a private club of everyone else who makes things. The storefront is the door. The club is the reason to stay.
Here to buy? The shop needs no account.
The first face
A storefront anyone can buy from
Your storefront is a public page with your work on it and a way to pay you. Prints and originals. Records and merch. Digital files. Patronage tiers your patrons pay for monthly. Releases the public can stream and professionals can license.
Nobody needs an account to buy from you — a card and an email address is the whole of it. Phyrne brokers the payment through Stripe, takes its cut, and sends the rest to your own account.

The second face
A club of everyone else who makes things
Imagine every seller on Etsy. Now imagine that having a shop there quietly made you a member of a private club of every other seller — the ceramicist two streets over, the composer who needs a voice, the printmaker with spare press time.
That club is Phyrne. Calls for collaborators, swaps, introductions, mentorship, gatherings with real doors, and — only if you ask for it — the dance card. It comes with membership, whether or not you sell.

Who is in here
Six kinds of member, one club
The club works because the people in it do different things. A filmmaker needs a composer. A composer needs a poster. Everybody needs somebody who has done it before.
Musicians and bands
Sell the record, stream the single, license the track, and find the guitarist who can make Thursdays.
Read moreVisual artists
Originals and editions, commissions taken on your terms, and patrons who fund the next series.
Read moreAnimators and filmmakers
Stream the short, license the film, and find the voice, the score and the colourist.
Read moreDesigners and makers
A shop without the marketplace noise, and other makers to swap materials, skills and kiln space with.
Read morePhotographers
Prints, editions, second shooters, and the stylist who was going to say yes anyway.
Read moreWriters
Chapbooks and zines, serialised work for patrons, and the illustrator your next one needs.
Read moreSell
Get paid for the work, not for the posting
What you can sell
Your storefront
One public page. Physical goods, originals, editions, digital files. Your prices, your shipping, your terms.
Read morePatronage tiers
Monthly support with something behind it — studio notes, work in progress, something in the post. Billed by us, paid to you.
Read moreReleases
Upload a track, an album or a film once. The public streams it, professionals license it. Same file, two doors.
Read moreLicensing
Sync, editorial, commercial, venue. One price per licence type, one rights-holder, no negotiation you did not ask for.
Read morePayouts
Stripe Connect pays into your own bank account. We take our cut on the way past and hand you the tax paperwork.
Read moreMake together
The other half of the work is other people
What the club is for
Calls
A noticeboard that says what it means: a guitarist, Thursdays, Brooklyn. Post one, or answer one.
Read moreSwaps
A logo for a ceramic set. A mix for a music video. Both sides agree in writing before anything ships.
Read moreMentorship
Ask for one, or offer one. A subject, a few hours a month, and a person who has already done it.
Read moreIntroductions
Industry networking without the room full of lanyards. Who does what, who is looking, who will vouch.
Read moreBelong
A door, a room, and people who were read before they came in
Behind the door
The club
The private side. Members in good standing, and nobody else — not the public, not search engines, not us in public.
Read moreGatherings
Shows, studio nights, listening parties, critiques and suppers. Hosted by members, in cities we are actually in.
Read moreThe dance card
Dating inside the club, switched on only if you ask. Same vetting, same conduct, same people.
Read moreTrust
Why this room is not a marketplace
Every member was read by a person before they got in. Everybody signed the same page. And the work stays yours.
Vetting
A person reads every application. Effort is the first filter, and it removes most of what makes rooms unpleasant.
Read moreThe code of conduct
One standard, signed by everyone, enforced with consequences. Breaking it costs your membership.
Read moreYour rights
You own your work, your prices and your buyers. Phyrne is the counter, not the gallery.
Read moreThe public
You do not have to be a member to buy
Most of the people who pay a Phyrne member will never see the club. They came for one record, one print, one licence — and they can have it in a minute, with no account to make.
Collectors
Buy the print, the pot or the original from the person who made it, with their handwriting on the parcel.
Browse the shopListeners
Stream the record, back the artist monthly, own the pressing. No app, no account, no algorithm.
Hear the newest recordsLicensees
License a track or a film from the rights-holder, at a stated price, with the paperwork attached.
Search for a track or a film8%
Our cut of a sale, a patronage payment or a licence
$0
To open a storefront and keep it open
Included
The club, for every member, whether or not they sell
None
Ads, boosts and paid placement, now or later
I came to sell mugs. Eleven months later I have a woodworker who makes my plinths, a photographer who shoots the glaze properly, and a standing invitation to a supper I would have been too shy to ask about. The mugs are doing fine too.
Questions, answered
The short answers. The help page has the long ones.
What does it cost?
Do my buyers need a Phyrne account?
Is this a dating app?
How do I get in?
What kind of work belongs here?
Can I leave and take my work with me?
The door is a form, and a person reads it
Tell us what you make and what you came for. We answer every application, including the ones we decline.
Here to buy? The shop needs no account.