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The call board

Say what you need. Plainly

A call is a card on a board that says what you actually want. A guitarist, Thursdays, Brooklyn. A voice for a two-minute short, paid. Two hours of kiln time in exchange for glazing help. Members answer, you pick, and the rest of the internet never sees it.

A cork noticeboard in a studio stairwell, thick with handwritten cards asking for a guitarist, a voice, kiln space

Why plainly

Nobody has ever been hired by a post that said collaboration opportunity

The calls that get answered read like a card in a stairwell. They name the instrument, the night, the city, the money, and how long it goes on for. The ones that die read like a job advert written by somebody who was embarrassed to ask.

So the form asks for those things directly. What you need, the craft, where, how often, when it starts, and whether there is money in it. It takes about ninety seconds and it is the whole difference.

A gallery back room after an opening, a few people in conversation among leaning canvases

The kinds

What people actually post

A missing player

A bassist for a residency, a cellist for two afternoons, somebody who can read a chart and get to a rehearsal room by seven.

A pair of hands

A second shooter, an assistant for an install, a person to help carry sixty kilograms of clay up two flights.

A craft you do not have

A colourist, a poster, a voice, a mix, a mould-maker, somebody who can weld and will not laugh at the drawing.

Space and machines

Kiln space, press time, a room with a good ceiling, a garage with power, a wall for one night in November.

How it goes

From a card to a person

  1. You post the call

    What, where, when, how often, and paid or not. Say the rate if there is one. Calls without a rate get fewer answers and both of you already know it.
  2. Members answer it

    An answer is a short note from a member, on your call's page and nobody else's. One each, and they can take it back while you think.
  3. You accept, and you talk

    Accept an answer and a conversation opens between the two of you. No public thread, no comments, no audience for either of you. A band can accept more than one.
  4. You mark it filled

    Once you have your person, mark the call filled. It comes off the board, and everyone still waiting on an answer is told no rather than left wondering.

Who sees it

A call is club business

Calls are visible to members and to nobody else. Not the public, not search engines, not somebody who found your storefront. You are asking for help in a room, not advertising a vacancy to the internet.

Every call names its craft, so the board can be read one discipline at a time — music, film, design, whatever yours is.

What is behind the door

A long corridor of studio doors with handwritten nameplates, one open and lit
I posted for a drummer who could handle odd time and be in a room by seven. Four answers, one of them extremely good, and we have played eleven shows since. It took me longer to write the card than to find him.
A songwriter in Brooklyn two bands, one very patient drummer

Questions about calls

Do I have to pay people?
Not always, but say which it is. Paid calls get better answers, unpaid calls get honest ones, and a call that hides the question gets neither.
How many calls can I post?
As many as you have real needs. There is no charge for posting or answering, and no boost that puts a call higher up a board.
Can somebody outside the club answer?
No. Calls are members only. That is most of the reason the answers are worth reading.
What if the person does not show up?
Tell us. Standing up a member is a conduct matter under the code of conduct, and a person reads every report.
Can I take a call down without filling it?
Yes. Close it, and anybody still waiting on an answer is told, the same as when a call is filled.

Write the card you would pin in a stairwell

Name the instrument, the night and the city. Members answer, and accepting one opens the conversation.