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Introductions

Networking, without the lanyards

Ask to meet a member, and say why. Name somebody you already talk with to vouch for you, and it goes to them first. Nobody is browsing a database of strangers, and nobody is put on the spot.

A gallery back room after an opening, a few people in conversation among leaning canvases, glasses half full

The difference

A cold message is a lottery ticket. An introduction is a favour called in

Plenty of good things start with one member writing to another. But the thing that actually works, in every industry, is a person saying you two should talk, and here is why.

So introductions are a real feature. Ask to meet somebody, say why in your own words, and name a member you already talk with to vouch for you. They can pass it on or decline it, and the person you wanted to meet never sees a request your voucher did not pass on.

A corridor of studio doors with handwritten nameplates, one open and lit

What makes one work

Three lines that make an introduction worth passing on

What you do

The craft, the tools, the things you would actually be hired for. Not a job title.

What you are working on

The record, the series, the film, the fair in March. It is the reason anybody says yes.

What you want from them

An hour on hanging a show, a colourist's eye, a way in at a label. One thing, said plainly.

How an introduction happens

Asked, considered, made

  1. You find the person

    Their name on a call, on a mentorship post or on a gathering they are hosting opens their page, and you ask from there.
  2. You ask, and say why

    A few lines on why the two of you should talk. Name a member you already talk with to vouch for you, or ask directly.
  3. The voucher decides

    With a voucher, it goes to them first. Passing it on is one press; so is declining, and a declined one never reaches the person you wanted to meet.
  4. They answer

    The member you asked to meet reads your reason, and who vouched. Accept, and one conversation opens between the two of you.

The rules of the room

Nobody here is a lead

You cannot export the membership, you cannot send the same message to forty members, and you cannot use the club to sell services to the people in it. One member describing this as a database is enough for us to take a look at what they have been sending.

Ask twice and you are warned. Ask three times and you are gone. That rule predates all of this and it is not going anywhere.

Read the code of conduct

A sheet of heavy paper with an oxblood wax seal, signed in ink
Somebody I had met once at a supper introduced me to a gallerist with two sentences about my glazes. I had been writing to galleries for three years and getting nothing back. It is who says it.
A ceramicist in Atlanta one introduction, one show

Questions about introductions

Can I message a member directly?
Yes, one at a time, and with something to say. Bulk messaging is not possible here and attempting it is a conduct matter.
Can I say no to vouching for somebody?
Always, in one press, and the person they wanted to meet is never told that anyone asked.
Can I take a request back?
Yes, while nobody has answered it. Withdraw it and it is gone from everybody's list.
Is any of this visible to the public?
No. Introductions, like everything else in the club, are members only. Your storefront is the public half of you.
Can I use Phyrne to hire for my company?
Post it as a call, honestly, with the money in it. What you cannot do is mine the membership and write to fifty people about a vacancy.

Say why, in a few lines

The requests that say what you want from somebody are the ones that get passed on. It is not more complicated than that.